Oppositional Gaze on Home and Domesticity in The Selected Fiction of Nazar Sajjad Hyder and Ismat Chughtai

Book: Mapping the Trajectory of Indian Muslim Women's Life-Writings: An Autoethnographical Approach from India by CSMFL Publications

Malabi Ghosh
Former Senior Research Fellow (UGC-NET JRF), PhD Research Scholar, Department of English, Jadavpur University, Kolkata, India.

10.46679/9789349926509ch09
This chapter is a part of: Mapping the Trajectory of Indian Muslim Women’s Life-Writings: An Autoethnographical Approach from India
ISBN (Ebook): 978-93-49926-50-9
ISBN (Hardcover Print): 978-93-49926-84-4
ISBN (Softcover Print): 978-93-49926-34-9

© CSMFL Publications & its authors.
Published: April 15, 2026

Ghosh, M. (2026). Oppositional Gaze on Home and Domesticity in The Selected Fiction of Nazar Sajjad Hyder and Ismat Chughtai. In N. Safrine, Mapping the Trajectory of Indian Muslim Women’s Life-Writings: An Autoethnographical Approach from India (pp 107-113). CSMFL Publications. https://dx.doi.org/10.46679/9789349926509ch09


Abstract

This essay examines the contested discourse of “home” in colonial India by tracing its critical reimagining in the fiction of Urdu-speaking female Muslim writers. It focuses on short stories by Nazar Sajjad Hyder and Ismat Chughtai, situating their work within the ideological framework of Victorian domesticity, colonial modernity, and indigenous reformism, which collectively idealized the home as a moral and private sphere. In opposition to this normative construction, women writers developed a counter-narrative that exposes the home as a site of material deprivation, gendered violence, and class exploitation, particularly for the women of the household and female domestic servants. The essay demonstrates that fiction served as a crucial medium for critiquing the duplicity of the nationalist, reformist, and patriarchal authority. Drawing on the feminist theory of standpoint epistemology, especially Bell Hooks’s concept of “homeplace,” and the oppositional gaze, the analysis contends that these authors exposed the darker side of dwelling.

Keywords: Urdu Fiction, Muslim Women’s Writings, Homeplace, Gendered Poverty and Violence, Domesticity in Late Colonial India

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